Hatched in the deserts of Palm Springs, California, the origins of Queens of the Stone Age can be traced to their hard and dusty teenage band Kyuss who gained a rep for slaying crowds with their hypnotic buzz rocking anthems. Homme flirted with joining Screaming Trees for a while before creating his ideal project, basing the sound on a fusion of Krautrock, and metal and futuristic country music. The self-titled debut featured Josh, Nick Oliveri and guitarist Dave Catching, with brief membership behind the drums falling to Alfredo Hernandez. While that disc wowed the hordes in California it took Rated R (2000) to break them out of the sandpit. Rated R was a particular hit in the UK where it went Gold and established the band as a festival mosh monster. ‘The outstanding ‘Feel Good Hit of the Summer’, ‘The Lost Art of Keeping a Secret’ and ‘I Think I Lost My Headache’ offer an immediate in to this lyrically fearless and sonically crunching bunch. Mark Lanegan (from Screaming Trees) is a guest, but then so is Rob Halford from Judas Priest. Widely touted by alternative and hard core rock publications as an album to kick-start the new century we have this available in the Rated R Deluxe Edition format – meaning you get a second disc of live Stone Age splendour from Reading 2000, plus non-LP versions of five separate tracks including ‘Ode to Clarissa’ and ‘You’re So Vague’. The whole thing is/was the perfect antidote to ersatz TV manufactured dross and dreadful nu-hair-metal. These guys stand and deliver and their energy levels are frightening. No way could they be tagged as Stoner Rock anymore. Strong stuff.
Songs for the Deaf (complete with cover depicting a Satanic fork) is the album that turns Gold in America. Loosely based on a mythic car drive from downtown Los Angeles to their happy hunting grounds in Joshua Tree, this set is renowned for featuring Nirvana’s Dave Grohl on drums. Grohl was a fan having seen them support Foo Fighters and enjoyed returning to his back seat for a change. Epic cuts here are ‘No One Knows’, ‘Go with the Flow’ and ‘First It Giveth’ but we also love ‘Six Shooter', ‘Gonna Leave You’ and ‘Mosquito Song’ where Dean Ween locks his guitar next to Homme’s. If you want to catch some influences, think 13th Floor Elevators and Black Flag. A manic, panic attack of an album that should be in every noisy home.
Lullabies to Paralyze (2005) welcomes new QOTSA cats Troy Van Leeuwen on guitar and drummer Joey Castillo. Recorded in Van Nuys, California the album was kick-started by the hits ‘Little Sister;’ and ‘In My Head’ although the hard core gravitate towards ‘Long Slow Goodbye’ and the epic ‘”You Got a Killer Scene There, Man”’ where Homme and backing vocalists Shirley Manson and Brody Dalle conjure up something pretty unpleasant. Oh, another thing: that’s ZZ Top’s Billy Gibbons (a Queens hero) playing guitar on ‘Burn the Witch’, ‘Like a Drug’ and ‘Precious and Grace’, and having a ball by the sound of it.
2007 ushers in another summer time smash with Era Vulgaris, inspired this time by Homme’s daily drives through Hollywood where he imagined he’d become a construction worker getting stoked before dawn. As usual the guests are diverse and interesting. The Strokes man Julian Casablancas sings on ‘Sick, Sick, and Sick’ and producer/musician/multi-instrumentalist Chris Goss is all over it, bringing his own desert rock expertise from Masters of Reality to the table. The studio/live faves here are many but consider the merits of ‘Make it with Chu’ and ‘3’s and 7’s’, these are right up with the best the Queens have yet offered. All taken, it’s another five star disc.
Queens of the Stone Age have lasted so well because they’ve become adept at filtering often bizarre strains of the past that you wouldn’t expect tgo find into their own sound. Nu wave eletronica, punk rock, garage blues and deep funk seep through the cracks of what they do and they always offer a total listening experience. Besides the music they’ve always paid attention to marketing and promotion – they love kitsch and they revel in dark humour. In many ways they’ve sent the music business up rotten but they’ve never taken their fans for granted and they certainly haven’t compromised their art form. Chances are you’re already completely familiar with them, or have more than a passing acquaintance, or maybe you just heard the name and thought – hmmm, that might be interesting. Lucky you, if the latter’s the case. Time to take a trip to the deserts of California. Welcome to the Stone Age.
Words - Max Bell.
Rated R is a 2000 album by Queens of the Stone Age, containing the first appearance of former Screaming Trees vocalist Mark Lanegan, and the first significant appearance of Nick Oliveri, on a Queens of the Stone Age record. Oliveri appeared briefly on the band’s previous album (Queens of the Stone Age) in a voice sample.
Los Angeles based drummer Gene Trautmann plays on tracks 1, 6, 7, and 9.
Frequent touring for Rated R generated support for the band which grew when Foo Fighters frontman and former Nirvana drummer Dave Grohl joined in late 2001/early 2002 to record their third album. Songs for the Deaf was released in August, again featuring Mark Lanegan, as well as adding former A Perfect Circle guitarist Troy Van Leeuwen to the touring line up following the album’s release. Although Songs for the Deaf gained major attention, Grohl returned to his other projects and was replaced on the European leg of the album’s supporting tour by former Danzig drummer Joey Castillo, who joined the band full time.
Lullabies To Paralyze is the fourth studio album by hard rock band Queens of the Stone Age and was released on March 21, 2005. Debuting at number 5 on the Billboard chart, the album sold 97,000 copies in America during its first week of release, eventually topping over 342,000 copies as of March, 2007 according to Nielsen Soundscan. The album has been certified gold in the UK, where it has sold over 100,000 units.
Era Vulgaris is the fifth full length studio album by American hard rock band Queens of the Stone Age. The album was completed in early April 2007 and released on June 8, 2007 in some countries, June 11, 2007 in the United Kingdom and June 12, 2007 in the United States. The tracks “Sick, Sick, Sick” and “3’s & 7’s” were released as singles in early June, with a third single “Make It wit Chu” released around Halloween of 2007.
If the release of Nirvana's Nevermind in 1991 was where punk rock finally broke into the mainstream of American rock in the form of grunge, Green Day's Dookie in 1994 was the first major salvo for pop-punk, where fast, catchy tunes and choppy guitar figures were fused to sarcastic lyrics about life in the teenage nation. The pop-punk explosion led to a new boom of alternative rock, music a few steps away from old-school punk or grunge and aiming for a new market that had embraced fresher sounds following Nirvana's success. Teenage Dirtbags is a two-disc set that offers up 44 songs from the explosion of pop-punk, ska, and alternative rock hits that came in Green Day's wake. Ranging from the ridiculous ("Teenage Dirtbag" by Wheatus) to the imaginative ("Buddy Holly" by Weezer), Teenage Dirtbags includes hits from blink-182, Fountains of Wayne, Sugar Ray, Sublime, Queens of the Stone Age, Hole, Andrew W.K., Evanescence, Smash Mouth, Less Than Jake, and many more.