Ten weeks across the summer of that year were spent holed up Sarm East studios, in London, recording what was to become Nik’s debut, Human Racing. Produced by Peter Collins, who had worked with pop impresario Pete Waterman on a range of projects, the 10-song set was trailed by ‘I Won’t Let The Sun Go Down On Me’, which peaked at a disappointing No.47 at the close of the year. Undefeated by this misfire, which did better business in some corners of continental Europe, Nik’s next single, ‘Wouldn’t It Be Good?’, was an out-the-park smash, peaking at UK No.4 in a 14-week run, and even hitting No.46 in the US (though it was to be his only significant solo hit there). On its release in March, Nik’s debut LP peaked at UK No.5 in a 61-week chart run. Containing the classic singles ‘Dancing Girls’, ‘Human Racing’ and his debut 45, reissued in the summer of 1984 with a new video, it sealed Nik’s fate as a teen heart-throb frequently featured in the pages of Smash Hits, and was the catalyst for an army of fans to form and follow every move of their idol with a frenzied interest.
Christmas 1984 saw the release of ‘The Riddle’, which went silver, hit No.3 on the UK singles chart and shared a name with Nik’s second LP, which itself peaked at UK No.8 in a 36-week chart run. Nik confesses it was completed in a hurry – just two weeks was all that his hectic schedule allowed for him to write and demo nine of its tracks. Nevertheless, ‘The Riddle’ was one of his most successful international singles, with strong showings in Europe, Australia and New Zealand, though it just missed the Billboard Hot 100 in the US, peaking at No.107. It remains one of his most covered songs, with a dance version by Gigi D’Agostino performing strongly across continental Europe in 1999, and Swiss DJs Jack Holiday and Mike Candys scoring with a second dance remake, in 2012.
Nik didn’t participate in the 1984 Christmas Band Aid project, but saw off a hugely successful year by playing a well-received gig at London’s Hammersmith Odeon (some of those live tracks were dusted off for inclusion in a reissue programme released 29 years later). He was invited to appear on stage at Wembley Stadium for July 1985’s Live Aid spectacular, where he performed four songs. He says now he regrets not enjoying the experience more, but was terrified of the billions watching his set, and felt uncomfortable sharing the limelight with people he considered to be his idols. One track, ‘Wouldn’t It Be Good?’, was selected for inclusion in the legendary show’s subsequent DVD release.
The ‘Wide Boy’ and ‘Don Quixote’ singles from The Riddle did respectable business in the UK charts, peaking at No.9 and No.10, respectively, but they were to prove Nik’s final entries in the UK Top 20. One again supported by memorable videos, they complemented Nik’s ongoing commitment to the touring circuit, but he admits the relentless promotional schedule was getting tiring.
The following year’s 10-track ‘Radio Musicola’ project yielded three international singles (and a fourth in Germany) and strong press, but the charts were changing and the dance revolution was beginning to eat away at the commercial fortunes of the decade’s earlier pop champions. Lead single ‘When A Heart Beats’, released in late 1985, peaked at UK No.27, while its follow-up ‘Nobody Knows’, timed to hit the shops in October 1986 just ahead of the parent LP, was his first to miss the Top 40 altogether, peaking at UK No.44.
Nik released one more album in the 80s, May 1989’s ‘The Works’, which failed to chart but yielded two further singles in ‘One Step Ahead’ (UK No.55) and ‘Elizabeth’s Eyes’ among its 10 tracks. His ability to craft a great pop hook had attracted much attention during his Top 40 career and, as that slowed, it was inevitable he would be invited to contribute to other artists’ projects. His composition ‘The One And Only’, performed by Chesney Hawkes and featured in the film Buddy’s Song, topped the UK charts for five weeks and even hit the US Top 10.
In 1993, Nik duetted with one of the artists that had intimidated him at Live Aid eight years earlier. ‘Old Friend’, written and performed with ‘Elton John’, was a highlight of Elton’s Duets album and followed Nik’s earlier contribution to Elton’s 1986 international smash ‘Nikita’. At the end of the decade, 1999’s 12-track ‘15 Minutes’ album yielded a modest but surprise hit in ‘Somebody Loves You’, but the set failed to chart. The same year saw Nik collaborate with Les Rythmes Digitales – a group built around future Madonna producer Stuart Price. Their track together, ‘Sometimes’, was released as a single and peaked at UK No.56.
By the dawn of the 21st Century, the 80s revival was gathering steam and Nik found himself in demand for an endless round of revival tours. This appetite for his old material did not dent his enthusiasm for producing new music, however, and 2001’s ‘To Be Frank’ featured 11 new tracks, including a fresh collaboration with Chesney Hawkes on ‘Jane Doe’. One single, ‘Wounded’, was lifted from the set.
In 2005, Universal released a definitive hit singles collection in Then And Now, which contained three new tracks and his two famous duets. It was also released on DVD, featuring most of his classic pop promos. A further – self-released – studio album, ‘You’ve Got To Laugh’, was released the following year and contained 12 new tracks, including contributions from Kajagoogoo bassist Nick Beggs. No singles were lifted from the set, which was to be Kershaw’s last release until 2010’s No Frills project, which was largely comprised of acoustic versions of his old classics, and, once again, was released on his own label.
2012 saw the release of another new album, Ei8ht, which yielded two singles in ‘The Sky’s The Limit’ and ‘You’re The Best’. Special editions of Nik’s two biggest-selling albums, Human Racing and ‘The Riddle’, were released in 2-CD sets and contained contemporaneous remixes, B-sides and live tracks recorded at the peak of his career.
Nik has five children and still balances a commitment to the touring circuit with a restless passion for writing new music. He may forever be associated with a brace of memorable 80s classics, but he’s proved to be a distinctive, determined songwriter, with certainly no sign of the sun setting on his career anytime soon.
Words: Mark Elliott
His debut, although rough around the edges, showed talent and promise, and includes "Wouldn't It Be Good." Words: Scott Bultman
Kershaw's second album finally garnered some deserved attention. The rest is his unique style of well-crafted synth-pop. Words: Scott Bultman
Radio Musicola was Nik's third studio album first released in 1986 on MCA Records - includes the songs 'Nobody Knows', 'Radio Musicola' and 'Life Goes On'.
Nik Kershaw's fourth studio solo album, released in 1989 and the last he created for MCA Records. Features the tracks 'One Step Ahead' and 'Elisabeth's Eyes'.
Despite a steady string of moderate hits in the U.K. and U.S. during the '80s, as well as a burgeoning career as a professional songwriter, Nik Kershaw chose to spend much of the '90s rather quietly. He worked behind the scenes as a songwriter, but following The Works in 1990, he didn't record for nearly a full decade. Finally, he returned to action in 1999 with 15 Minutes, an immaculately produced collection of modern mature pop. Kershaw always specialized in subtle, sophisticated pop, and that's what he delivers on 15 Minutes, albeit with a modernized sheen. There is a difference, however. Like his peers Nick Heyward and Howard Jones, Kershaw winds up making sophisticated, mature pop that feels like it should be about the songwriting but winds up being about sonic texture. Of course, that means that 15 Minutes can be a pleasant listen, and it is -- but there aren't many songs that make a lasting impression. Still, it's easy to admire the craft behind the production and the subtle songwriting, even if the songs don't work their way into your subconscious. And those are enough to make it worthwhile for hardcore fans longing for new Kershaw, even if it isn't enough to win a new audience.
Words: Stephen Thomas Erlewine
Nik Kershaw rose to success in the mid-'80s, largely based on his two hit singles, "Wouldn't It Be Good" and "I Won't Let the Sun Go Down on Me," only to retreat into obscurity throughout most of the '90s due to a lukewarm reception for his Radio Musicola album. After surfacing in 1999 with a new album, 15 Minutes, Kershaw set out to begin recording again, which resulted in To Be Frank, his album of quirky pop tunes. Feeling more like a last plea to rekindle the success of his past rather than an attempt at something new, To Be Frank is a faceless collection of material that leaves you wondering if anyone even cares anymore. Nik Kershaw's largest talent has always been evident in his songwriting; he even spent much of the '90s writing hit songs for other bands, and that alone carries the album when even the music falters.
Words: Jason D. Taylor
No Frills is the eighth album by Nik Kershaw released on 1st February 2010. Includes 'Somebody Loves You' and 'Oh You Beautiful Thing'.
Released in 2012, 'Ei8ht' includes 'The Sky’s The Limit', 'Bad Day You're Having' and 'Enjoy The Ride'.